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Rick Rubin Chats To Zane Lowe


The list of people that Rick Rubin has worked with is almost as long as his beard…

Seriously tho, from JAY Z to Neil Diamond, from Slipknot to Shakira, from the Beastie Boys to Ed Sheeran you’d be hard pressed to find a genre he hasn’t had a crack at producing.

This hour long Zane Lowe interview for BBC Radio 1 below is essential/inspiring viewing and a rare insight into one of THE most important musical figures of the past 30 odd years.

Enjoy.

Wake up Mr. West, Mr. West…

Diplo’s World Cup Mix

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To celebrate the World Cup kickin’ off Diplo has put together a killer 60 minute mix of global beat business for the BBC.

It features plenty of South American vibes as well as remixes and tunes from the likes of Major Lazer, Beyonce, Kanye & even The Black Keys. Stream it below and catch the fever!

GOOOOOAAAALLLLLL!!!!!!

5 Must Follow Music Photographers on Instagram


Sick and tired of looking at pictures of food, babies and selfies all day on Instagram? No worries, we’ve got you covered with 5 of the best music sharpshooters to follow on the gram…


1.
@Meldcole_Villageslum

Self-taught, ?Love approved, Mel D Cole’s account has its fair share of weird, but the black and white portraits of the biggest names in hip hop are what we are here for. The Roots, Yeezus, Action Bronson, Danny Brown, Joey Bada$$

 

2.@Lorenwohl

What genre don’t Loren shoot? Skrillex, Chance, Diplo, My Morning Jacket, Pharrell, Damon Albarn all feature on this account. Best of all Loren is a low volume poster, so he won’t clog the feed.

3.@Zoerainphoto

Zoe caught our eye as Macklemore & Ryan Lewis’ tour photographer and on the insta front there are plenty of the boys but some killer non music stuff as well. Seattle never looked so good.

 

4.@CrookRobbins

If your feed is looking a little bare, Book Bobbins is your man. 5,000+ shots of the NY Rap/party scene life.

5.@EthanLuck

 

Drummer turned lens genius Ethan Luck is Nashville based, bringing some classic Americana to this group. Simple, beautiful composed imagery of life on the road.

 

Introducing Chassol…


The return of Mr Mo’Wax aka James Lavelle programming London’s Meltdown Festival isn’t in itself exciting. That is despite recognising that James has (and always) had very very good taste and this bill is no different. And despite the fact that I kind of think the UNKLE Redux might well turn out to be better than The Avalanches redux at Sydney’s Vivid festival. But who knows?

What is exciting is the fact that it gives me a chance to rave about weirdly intriguing French act Chassol whose album Indiamore has become a little bit of a favourite.

Here’s a bit of the brilliantly titled Music Is God My Love from Indiamore which seems to be a soundtrack based around footage shot in India and is great throughout.


I don’t know much about Chassol because everything is in French but I think he does (did?) arrangements for three brilliant French acts (Sebastian Tellier, Keren Ann and Phoenix) and maybe the rumours say he is doing some beats and ideas for Kanye. But then, who isn’t?

For more proof of his wonderfulness you could try the Prince-like I Looove U Sometimes, from his other album X-Pianos (which, naturally, is about harmonising sounds from real life).

Brilliant left field summery pop.

Or this one Din A Din which weaves a sample into some beautiful piano melodies.


And with Eska on the bill too it’s a night to be genuinely interested in.

Thanks James and great you are back. Now to find the cash for a flight to London…



-TH

Gangster Doodles.


One of our favourite tumblrs Gangster Doodles has gone and put together a 48 page zine filled with their brilliant depictions of rappers, ballers, players, thugs and gangsters which in their original form are all done on 3x3 yellow post-it notes using common office supplies such as fluorescent highlighters adding to the charm.

It’s limited to 100 copies so you’d better get your skates on if you want to cop a copy which you can do by clicking here.

Below are a few of our faves from the first volume of hopefully many and stay tuned to their blog for your daily dose.

Memory Lane – 20 Years of illmatic


illmatic is the reason I like rap. And I like rap.

My pre-teen years were filled with the strains of 36 Chambers creeping out of my brother’s bedroom, matched in intensity only by my dad’s demands for it to be turned down/off. While I got that Wu-Tang was something to be respected, that Tupac made you cool at school and that Run DMC had made shoes important, I was frontin’ in the truest sense of the term.

It wasn’t until Pete Rock, Large Professor and DJ Premier laced raw east coast beats with brilliant jazz samples and Nasty Nas caused mass hysteria in my area that I understood why hip-hop was running amok in Sydney’s suburbs, headlining admonishing letters to parents from concerned Principals.

That tipping point led me to the back corner of countless record stores, hours of internet trawling and half-cut backyard battles, trying to recapture that first moment that I “got it”. Mos Def, Kweli, Common, J5, Kendrick, College Dropout era Yeezy, Schoolboy Q, Chance – many have come close, but it is still illmatic, 20 years on.

-Chris P



[Further reading/viewing - checkout Fuse’s 3 part special about the record’s legacy]

The Only Hertzsprung-Russell Diagram for Rap Beefs You Will Ever Need

via Grantland


Before this starts, know this: We — we as in HUMANS — are on the cusp of a moment. A moment that, should it occur, should even a glancing version of it occur, will produce a reverb that will demolish the lithosphere into, oh, I don’t know, about 10 billion pieces, if I had to guess.

Shawn “Jay-Z” Carter and Aubrey “Drake” Graham, the two most visible rappers on planet Earth, have almost inexplicably and without (at least publicly knowable) reason ended up on the precipice of an interstellar rap battle.

Drake, horns-of-fire eyebrows and all, called Jay-Z’s art-reference rap “corny” in an interview. Jay-Z, especially offended and surprisingly charged by the accusation, swooped down from the ionosphere on the back of his sun dragon and, eager to smite, fired exploding chain saws at Drake in a verse on a song called “We Made It.” Here they are:

Sorry Mrs. Drizzy for so much art talk
Silly me rappin’ ’bout shit that I really bought

And so now the world waits.

Waits for Drake’s response.

Waits for Jay’s response to Drake’s response.

Waits for Drake’s response to Jay’s response to Drake’s response.

We wait and wait and wait.

We’re still waiting.

Because we are on the cusp of a moment.

♦♦♦

Every year for the last decade during the days between November 11 and December 20, I have attempted to teach middle school ESL students about all of the whole of the everything of the entirety of outer space, from its birth to its (hypothetical) end. This, as one would expect, is a bit of a task.

Sometimes it’s for reasons you expect (because that shit is hard, bro). But sometimes it’s for reasons you do not. The best: One particularly enjoyable student asserted that, given that our understanding of the cosmos beyond Mars is almost entirely theoretical, it was irresponsible of me to completely disregard the plot of Killer Klowns From Outer Space, a movie on Netflix about aliens who look like Earth clowns and wrap people up in cotton candy and then suck their blood. “If nobody knows what’s out there, how can you say with certainty that there isn’t a planet dense with a population of clowns that want to murder me?” is a polished version of her position. “Well … it’s just … I mean … I don’t know, man” was my exact rebuttal. (I watched Killer Klowns From Outer Space. It’s terribly creepy. Don’t watch it.)

Still, during that segment of the curriculum, the one thing we go over that every kid learns is something called the Hertzsprung-Russell diagram. Here is the exact one I have for them in class:

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A general explanation: The H-R diagram plots stars based on brightness vs. heat. There are four main groups: the supergiants, which are the biggest and, on average, the brightest stars; the giants, which are a little smaller though still impressive; the main sequence stars, which are regular, ordinary-size stars; and the white dwarfs, which are just remnants of stars and not real actual stars anymore.

Now, in class this particular discussion would be followed by an activity in which the students are given characteristics of stars found in the known universe and then asked to place them where they belong on the chart. But since this is not class — this is Grantland — I present a variation.

It’s the Hertzsprung-Russell Diagram for Rap Beefs:

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It’s the same as the normal one, except it’s different.

Instead of the brightness on the y-axis, we measure how interesting each rap beef is. And instead of the temperature/color on the x-axis, we measure how real-life dangerous each rap beef is.

Important: The beefs listed here are not all the beefs that have ever existed in rap, same as the H-R diagram doesn’t plot all the stars that have ever existed. The charts are used as reference, a guide for you to refer to when considering the parameters of, say, 2007’s Gillie Da Kid vs. Lil Wayne debacle and how it measures next to, say, 1992’s P.M. Dawn vs. KRS-One shenanigans.

The numbers scattered in the H-RDFRB correspond with the faces underneath it, and the faces represent the winning side of whichever beef it was that he or she was involved in. Explanations:

1. Drake vs. His Feelings: Top tier. Probably the most interesting rap battle of our generation, which, depending on how you process the world, is something you will consider very advanced or very disappointing.

2. Lil’ Kim vs. Foxy Brown: Lil’ Kim wins this one because I actually had to Google “is Foxy Brown alive” while researching this. (She’s alive, FYI.)

3. Kanye West vs. 50 Cent: The two released albums the same week in 2007 and so they were arguing over who was going to sell more. 50 was like, “If Kanye outsells me, I’ll retire.” Kanye outsold him by more than 200,000 units. 50 was like, “LOL I’m just kidding I’m not retiring.”

4. Nas vs. Jay-Z: (1) Yes. Jay-Z won. Shut up. (2) I will never not use the hyphen in “Jay-Z.” His mama named him “Jay-Z,” I’mma call him “Jay-Z.”

5. Ice Cube vs. N.W.A: They argued over money. Ice Cube recorded “No Vaseline.”

6. Eminem vs. Benzino (and The Source): This one almost certainly would’ve fallen into the the supergiants category in 2002. But Eminem the brand has swelled to such an alarming size that his moves are barely even interesting anymore and Benzino is Benzino, so this one plummets down into the cellar.

7. Nelly vs. Chingy: Mostly because I just wanted you to have a good baseline for what a very, very, very bottom-level white-dwarf rap beef looks like. (Note: In 2004, this beef was definitely a main priority for me. I’m saying, do you even know how many times I watched the “Batter Up” video, bro?)

8. This is when Ludacris went at it with T.I.: Ludacris won that one. This is not when Ludacris went at Drake and Big Sean. Nobody won that one. Not one single person.

9. Nicki Minaj vs. Gucci Mane: This one rates this high on interest because Gucci was on Twitter telling everyone he had sex with Nicki Minaj and that he had proof of it and for just a few moments somehow it kind of seemed like he was telling the truth. Know this: If Gucci Mane ever in any capacity proves that you had sex with him, he wins. That’s the most vicious blow. One time, one of my sons uppercut his twin brother in the wiener. This would’ve been worse than that. If he would’ve actually somehow produced a video or even a picture of him and Nicki Minaj engaging in intercourse, we would’ve had to put her in a rocket ship and shoot her toward a corner of outer space.

10. 50 Cent vs. Ja Rule: What many consider to be the greatest takedown of the modern era. It was definitely in the supergiants category while it was happening, but it falls out here because 50 is probably, like, only the 40th most popular rapper right now.

11. Papoose vs. hahaha psych just kidding Papoose never won anything LOL.

12. Gucci Mane vs. Face Tattoos: To crib a line from a 2004 Demetri Martin comedy special: This is a good example of how you can be a winner and a loser at the same time.

13. Common vs. Drake: “You a bitch because you cling like a bitch that’s 18 / Can’t say my name but rap about a n—-’s wife / You so black and white, trying to live a n—-’s life / I’m taking too long with this amateur guy / You ain’t wet nobody, n—-, you Canada Dry.” —Common

14. Kendrick Lamar vs. All the Guys He Mentioned on “Control,” But Mostly Drake Because Drake Was the Only One With a Higher Perch: Oh, man. Rap nerds had hella boners when this song came out.

15. Tupac vs. Biggie: Dang.

:(

♦♦♦

Five New(ish) Beefs That Belong on the Diagram

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Snoop Dogg vs. Bob Marley’s Ghost (supergiant):
Snoop’s gotta stop. Someone please tell him.

Lil Wayne vs. Metaphors (main sequence): If Tha Carter IV has fewer than 200 of those stupid “I got presidential concentration / Call that a Ford Focus”–style lines, then that’s a win for Wayne.

J. Cole vs. J. Cole’s Face (white dwarf): He’s losing.

Nas vs. Evolution (giant): Has any rapper ever gripped more desperately to a time period, to what he or she at one point represented, than Nas? Nas is a total bore now. His fight against evolution is history’s longest war.

Wale vs. Everybody on Earth, I Guess (white dwarf): I just don’t get it. Wale seems like a decent (albeit tightly wound) person. Why does everyone hate him? I interviewed him at a concert once. He was nice. T-Pain was there. I talked to him, too. T-Pain is way more of a dick than Wale.



-Shea Serrano

Shea is a writer based in Houston. He has written for MTV, XXL, Vice, Complex, Myspace, and other outlets. He recently published his first book, Bun B’s Rap Coloring and Activity Book.

Kanye West Reveals New Album Title…


'The Australian Dropout'

Kanye Sure Loves a #Selfie

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Arrogance is bliss Yeezus